Save Your Editor Time and You Money
There are certain words that are a red flag for publishers and readers alike that scream “amateur writer.” By avoiding those types of words, it’ll tighten up your writing and will be more attractive to publishers and your readers.
I’ve been guilty of using them, I still find myself becoming lazy at times and using those weaker words. I do try to get into the habit of choosing stronger words to convey emotion or thought. Because of that, my writing has improved by leaps and bounds. It’s difficult though. There are certain words that are easy to use, but lessen the quality of your work. It’s tough breaking any bad habit.
My suggestion is that you read through your works and if you find any of the words I’ll list below or words like like them, consider replacing them with stronger words.
An Emotional Thesaurus is a wonderful thing to have on hand while you write. I highly recommend you get yourself one. “The Emotion Thesaurus” is a good one I have. I got it on Amazon. If I get stuck and need a good word to convey an emotion, I flip it open and can choose from a plethora of great words.
Avoid These Words in Your Writing
Really, very: These are useless modifiers. “He was really scared.” “She was very mad.” An example of a much stronger word to use would be, “He froze in fear.” See how much better that choice made that simple sentence?
That: Remove this word. It’s absolutely useless. “This is the best book that I read.” Remove the word. It does nothing for the sentence.
Just: I’m guilty of using this word. It’s lazy and I admit I have to make an effort to not use it. “That was just another flaw she had.” Is it really necessary there?
Then: Try to use and instead. It’s a small thing but works better in your story. “She went to the store then the dentist,” rather than, “She went to the store and the dentist. It’s a tiny difference in word that makes a big difference in your writing quality.
Totally, completely, absolutely, literally: Adds zero information.
Quite, rather, somewhat, somehow: Same as above. It adds nothing. “She was rather boring. <— Unnecessary. I still use these at times. Ugh!
Down, up: “She sat down.” “He stood up.” Not necessary and sounds amateur.
Wonder, ponder, think, thought, feel, felt, realize: “I wonder if she’s guilty,” isn’t as provoking as, “Is Mary guilty?” Readers and publishers like concise thoughts.
I could go on and on, but this should give you an idea of how to begin choosing stronger words for well developed sentences your readers will love. Think on your own writing and where your prose could be stronger.
Have fun and head over to the Facebook group, The Ins and Outs of Novel Writing and let me know what you think.
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Coming soon! Another short story contest. Stay tuned!
Very good advice . . . I mean, excellent advice! This is one of the first things I learned and it’s been more valuable than almost anything else. Test it by writing a paragraph with some of these words, then replace, or eliminate them and you’ll notice a distinct difference in texture and depth. Thanks, Gina!
Thanks so much, Don.